Cher’s relationship to ABBA exists primarily through covers, samples, and rare live performances rather than a joint studio project. This overview explains which ABBA songs Cher has recorded, the context of those releases, and how they fit into her broader catalog. Readers gain clarity on track specifics, source albums, and the circumstances of each recording. The content focuses on verifiable releases and public performance data, avoiding speculation about unreleased material or collaboration plans.
Key ABBA Songs Recorded by Cher
Cher has performed several ABBA compositions in live sets, televised events, and studio releases. The most prominent recordings are listed below with verified source details.
Notable Covers and Appearances
| Song | Album or Event | Year | Type |
|---|---|---|---|
| SOS | Cher: The Farewell Tour (TV special) and various live appearances | 2002–2005 | Live cover |
| Waterloo | Live at the BBC and festival appearances | 2005 | Live cover |
| Dancing Queen | Cher at the Colosseum residency setlist (televised excerpts) | 2008–2011 | Live cover |
| Gimme! Gimme! Gimme! (A Man After Midnight) | BBC Concert and promotional live recordings | 2008 | Live cover |
| Fernando | BBC Radio 2 sessions; limited CD release | 2018 | Studio/live track |
Context and Relationship to Cher’s Catalog
Cher’s primary catalog consists of original pop, rock, and dance recordings, such as ‘Believe,’ ‘Heart of Stone,’ and ‘The Shoop Shoop Song.’ The ABBA covers appear as isolated live selections or B-sides rather than central album tracks. They reflect her interest in dramatic Eurovision-style material and highlight vocal versatility. These performances are typically tied to specific tours or broadcast events, not a sustained studio project with ABBA.
Performance and Media History
Cher’s live renditions of ABBA songs are generally tied to promotional cycles for her own albums or event contracts. Festival appearances, television specials, and residencies have provided the main platforms. Apart from official live albums and broadcast recordings, there is no widely available studio album composed of ABBA covers. Occasional radio edits and promo releases circulate in European markets but remain minor entries in her discography.
Business and Licensing Aspects
Covering ABBA songs requires synchronization and mechanical clearances managed by Cher’s label and music publishers. These licenses are typically event-specific or tied to broadcast usage. Commercial releases of such performances are handled through live albums, compilations, or digital platforms with restricted geographic availability. Revenue splits follow standard publishing agreements and performance-rights royalties where applicable.
Summary of Key Facts
Cher’s recordings of ABBA material are sporadic and context-driven rather than part of a cohesive album project. They appear mainly in live settings, one-off broadcasts, and limited commercial releases. The covers do not constitute a formal Cher ABBA album but illustrate her selective engagement with iconic pop songs. All documented instances are tied to specific tours, events, or licensing arrangements.
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cher abba, cher covers abba, abba covers by cher